The new Aston Martin Vantage has made its global debut with a unique portfolio of imagery and film by Rankin, one of the most influential photographers of our generation. The London-based photographer has been at the forefront of commercial and editorial innovation since he co-founded the magazineu00a0Dazed and Confusedu00a0in 1992, bringing a unique aesthetic to fashion shoots and portraiture.
Over the course of a high-profile career, Rankin has taken the portraits of the Queen of England, Daniel Craig, Kate Moss, David Bowie, Monica Bellucci and many hundreds more. He has also published around 30 books and been a key driver behind major charity and commercial campaigns for a number of key brands around the world. To introduce the new Vantage, Rankin brings his talents to a classic tale of rivalry, a portrait of a car born on the track, shaped through racing and a formidable performance heritage. It is also a story of pure driving pleasure and a challenging portrayal of true automotive beauty, a car that is as beautiful in motion as it is at rest.u00a0 The images and film are a dramatic creative vision, born out of Rankin’s bold and fearless approach. u2018My ambition is to create film and stills that make the hairs on your neck stand up,’ says Rankin, ‘it’s about high intensity, maximum impact – imagery that gets your pulse racing with the urgency of the V8 engine at full throttle.’
The brief was to capture the new Vantage as the archetypal hunter, imbued with the ethos of ‘beautiful won’t be tamed’ to create a sharply focused sports car with a sense of precision and intensity. New Vantage evolved from a single line, a flowing form that encompasses the form and makes a devastatingly beautiful statement of intent. u2018The Vantage is instinctive. Itu2019s unadorned. Stripped of armour. Raw and focused,u2019 says Marek Reichman, Aston Martinu2019s Executive Vice President and Chief Creative Officer, u2018This car was always going to be an elemental object, with lines inspired by the language of the DB10 and the dramatic forms of the Aston Martin Vulcan, a car without a traditional grille.u2019
Across two shoots, a dynamic two-day session at the Atlanta Motorsports Park and a static shoot in Rankinu2019s Studio, Rankin and his creative team built up a portfolio that captures the true character of the new Vantage. To emphasise the primal, predatory character of the car, the shoot involved bringing a wolf into the studio – a stark and beautiful contrast with the form of the car. ‘The Vantage becomes a symbol of primal beauty,’ the photographer explains, ‘it is as much a sensual experience as it is an exhilarating one.’
u2018Our design philosophy is that the Vantage is undiluted, with simple clarity of purpose,u2019 says Reichman, u2018Rankin has a wonderful way of capturing the car as art.u2019 The film, shot with actors and stunt drivers in Atlanta, also used drones and a chase car to create a dynamic and dramatic story. ‘Itu2019s two drivers exploring the limits, vying for dominance over each other,u2019 Rankin explains, u2018it finishes with a tense stand-off, waiting for the next move.u2019
The end result captures the raw, animalistic character of this important model, the second car in Aston Martinu2019s Second Century plan. u2018You canu2019t work with an artist and then constrain their art,u2019 says Reichman, u2018and this is about two brands coming together to create beautiful art.u2019
New Vantage is a spectacular Aston Martin sports car with a bold and distinctive design language. Pure, sculptural forms create an athletic, predatory stance, while the minimal front and read overhangs, muscular flanks and broad haunches express the agility and dynamism inherent within the car. New head and tail lights form dramatic new signatures giving the Vantage unmistakable road presence and contribute to a strong and individual identity within the growing Aston Martin model range.
